Nov\u00e1 budova Al\u0161ovy Jiho\u010desk\u00e9 galerie vych\u00e1z\u00ed z ducha m\u00edsta a m\u011bsta, historie architektury a z\u00e1rove\u0148 chce b\u00fdt sou\u010dasnou sebev\u011bdomou stavbou a instituc\u00ed, kter\u00e1 p\u0159esahuje sv\u00fdm v\u00fdznamem region \u010cesk\u00fdch Bud\u011bjovic. Je schr\u00e1nkou na um\u011bn\u00ed a um\u011bn\u00edm samotn\u00fdm.<\/p>\n
Stavba vyr\u016fst\u00e1 ze syst\u00e9mu organicky tvarovan\u00fdch sloup\u016f s oblouky, kter\u00e9 m\u00edsty tvo\u0159\u00ed loub\u00ed a dod\u00e1vaj\u00ed j\u00ed v\u00e1\u017enost, eleganci a tv\u00e1\u0159 ve\u0159ejn\u00e9 stavby. V cel\u00e9m parteru je prosklen\u00e1, zve n\u00e1v\u0161t\u011bvn\u00edky dovnit\u0159 a vyu\u017e\u00edv\u00e1 p\u0159ilehl\u00fd ve\u0159ejn\u00fd prostor, aby se stal jej\u00ed sou\u010d\u00e1st\u00ed a naopak. Ustupuj\u00edc\u00ed patro, lehk\u00e1 prosklen\u00e1 d\u0159ev\u011bn\u00e1 stavba, vyva\u017euje hmotu domu. Fas\u00e1da galerie je velmi plastick\u00e1 v\u00e1penn\u00e1 \u0161tukov\u00e1 om\u00edtka. Odkazuje na bohat\u011b strukturovan\u00e1 mal\u00ed\u0159sk\u00e1 pl\u00e1tna \u010di grafick\u00e9 listy. Jedn\u00e1 se o kreativn\u00ed pr\u00e1ci s materi\u00e1lem, kter\u00e1 m\u00e1 sv\u00e9 m\u00edsto i v architektu\u0159e.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk vstupuje do rozlehl\u00e9ho atria otev\u0159en\u00e9ho p\u0159es v\u0161echna patra a pluje prostorem do v\u00fdstavn\u00edch s\u00e1l\u016f po schodi\u0161t\u00edch a platform\u00e1ch a p\u0159i t\u00e9to cest\u011b galeri\u00ed se mu otev\u00edraj\u00ed pr\u016fhledy galeri\u00ed a na m\u011bsto. Um\u011bn\u00ed je p\u0159\u00edtomn\u00e9 ji\u017e v prostor\u00e1ch atria a navozuje atmosf\u00e9ru je\u0161t\u011b ne\u017e se ocitneme ve v\u00fdstavn\u00edch s\u00e1lech. S\u00e1ly jsou dob\u0159e dimenzovan\u00e9 a p\u0159izp\u016fsoben\u00e9 pro realizaci rozli\u010dn\u00fdch galerijn\u00edch projektu od klasick\u00fdch \u201cpanelov\u00fdch\u201d v\u00fdstav, p\u0159es men\u0161\u00ed kabinetn\u00ed instalace a\u017e po mo\u017enost vystavovat objemn\u00e1 \u010di velkoform\u00e1tov\u00e1 d\u00edla. Cestu galeri\u00ed je mo\u017en\u00e9 zakon\u010dit na velk\u00e9 terase v baru s panoramatick\u00fdm v\u00fdhledem na star\u00e9 m\u011bsto.<\/p>\n
Hmota domu vych\u00e1z\u00ed \u010d\u00e1ste\u010dn\u011b ze zadan\u00e9 regulace, jej\u00ed geometrie je p\u0159izp\u016fsoben\u00e1 vn\u011bj\u0161\u00ed form\u011b a vnit\u0159n\u00edmu uspo\u0159\u00e1d\u00e1n\u00ed, tak aby forma do prostoru dob\u0159e zapadla. D\u016fm vyr\u016fst\u00e1 z \u0159\u00e1du obloukov\u00fdch pil\u00ed\u0159\u016f, kter\u00e9 mu prop\u016fj\u010duj\u00ed v\u00e1\u017enost v\u00fdznamn\u00e9 ve\u0159ejn\u00e9 stavby. Syst\u00e9m oblouk\u016f a loub\u00ed vn\u00edm\u00e1me jako archetyp\u00e1ln\u00ed a lok\u00e1ln\u00ed fenom\u00e9n, kter\u00fd k t\u00e9to stavb\u011b p\u0159\u00edslu\u0161\u00ed. Zat\u00edmco st\u011bny pod\u00e9l Ml\u00fdnsk\u00e9 stoky a ulice Karla IV. kop\u00edruj\u00ed jejich trajektorii, pr\u016f\u010del\u00ed sm\u011brem do Senov\u00e1\u017en\u00e9ho n\u00e1m\u011bst\u00ed se jemn\u011b proh\u00fdb\u00e1 dovnit\u0159 do stavby a rozlehl\u00fd prostor n\u00e1m\u011bst\u00ed t\u00edm z\u00fatul\u0148uje. Zadn\u00ed pr\u016f\u010del\u00ed m\u00e1 obl\u00fd konk\u00e1vn\u00ed tvar reflektuj\u00edc\u00ed dynamiku frekventovan\u00e9 p\u0159ilehl\u00e9 komunikace.<\/p>\n
Fas\u00e1da galerie bude m\u00e1 plastickou om\u00edtku p\u0159ipom\u00ednaj\u00edc\u00ed mal\u00ed\u0159sk\u00e1 pl\u00e1tna, \u0161eps, reli\u00e9f, kreativn\u00ed pr\u00e1ci s materi\u00e1lem, tvarem a barvou. V\u00fdrazn\u00e9 tahy mohou p\u0159ipom\u00ednat informeln\u00ed grafick\u00e9 listy nebo matrice.
\nPlasticita fas\u00e1dy vynikne b\u011bhem dne a jej\u00ed struktura funguje nejen esteticky ale i jako ochrana proti p\u0159eh\u0159\u00edv\u00e1n\u00ed a to d\u00edky celkov\u011b v\u011bt\u0161\u00edmu povrchu. Organick\u00fd povrch fas\u00e1dy je tvarov\u00e1n st\u0159\u00edkanou celul\u00f3zovou izolac\u00ed v kombinaci s v\u00e1pennou strukturovanou om\u00edtkou. Lze uva\u017eovat i o opracov\u00e1n\u00ed fas\u00e1dy CNC fr\u00e9zou nebo tradi\u010dn\u00edm \u201csocha\u0159sk\u00fdm\u201d zp\u016fsobem. Tvarov\u00e1n\u00ed fas\u00e1dy i oblouk\u016f odkazuje k rozmanit\u00fdm v\u00fdtvarn\u00fdm technik\u00e1m, k nekone\u010dn\u00e9 variabilit\u011b a rozmanitosti struktur, kter\u00e9 vid\u00edme v p\u0159\u00edrod\u011b a p\u0159\u00edrodn\u00edch materi\u00e1lech a snaze \u010dlov\u011bka se k t\u00e9to dokonalosti p\u0159ibl\u00ed\u017eit mimojin\u00e9 i v\u00fdtvarn\u00fdm um\u011bn\u00edm. P\u0159edpokl\u00e1d\u00e1 se dal\u0161\u00ed spolupr\u00e1ce s um\u011blci a \u0159e\u0161en\u00ed fas\u00e1dy jako um\u011bleck\u00e9ho d\u00edla.<\/p>\n
Dv\u011b nejv\u011bt\u0161\u00ed okna um\u00edst\u011bn\u00e1 ve fas\u00e1d\u011b domu na obou pr\u016f\u010del\u00edch prosv\u011btluj\u00ed vstupn\u00ed halu otev\u0159enou p\u0159es v\u0161echna patra, ostatn\u00ed otvory dokomponov\u00e1vaj\u00ed fas\u00e1du a p\u0159in\u00e1\u0161\u00ed sv\u011btlo nebo v\u00fdznamn\u00e9 pr\u016fhledy do v\u00fdstavn\u00edch prostor, otvory lze v\u0161ak pln\u011b zast\u00ednit.<\/p>\n
V parteru d\u016fm reaguje na sv\u00e9 okol\u00ed a um\u00edst\u011bn\u00ed na n\u00e1m\u011bst\u00ed, zve kolemjdouc\u00ed, aby se stali jeho sou\u010d\u00e1st\u00ed a je po cel\u00e9m obvodu prosklen\u00fd. V pr\u016f\u010del\u00ed sm\u011brem do n\u00e1m\u011bst\u00ed, pod\u00e9l Ml\u00fdnsk\u00e9 stoky a u vstupu do galerie z ulice Lidick\u00e1 t\u0159\u00edda, vznik\u00e1 podloub\u00ed, kter\u00e9 roz\u0161i\u0159uje p\u0159edprostor u obou vstup\u016f do galerie, kav\u00e1rny, bookshopu, coworkingu a v\u00edce\u00fa\u010delov\u00e9ho s\u00e1lu. Sm\u011brem do ulice Karla IV. a u v\u00edce\u00fa\u010delov\u00e9ho s\u00e1lu tvo\u0159\u00ed oblouky pilastry v prosklen\u00fdch ploch\u00e1ch. Syst\u00e9m oblouk\u016f v\u010detn\u011b strukturovan\u00e9 fas\u00e1dy se d\u00e1le propisuje i v interi\u00e9ru vstupn\u00edho podla\u017e\u00ed a p\u0159in\u00e1\u0161\u00ed \u0159\u00e1d, eleganci i strukturu do t\u011bchto prostor. Chceme t\u00edm akcentovat prolnut\u00ed ve\u0159ejn\u00e9ho prostoru a exteri\u00e9ru domu s interi\u00e9rem ve\u0159ejn\u00e9 instituce<\/p>\n
Horizont\u00e1ln\u011b je stavba rozd\u011blena na: 1. vstupn\u00ed podla\u017e\u00ed s ve\u0159ejn\u00fdmi funkcemi nikoli nutn\u011b nav\u00e1zan\u00fdmi na provoz galerie, 2. v\u00fdstavn\u00ed s\u00e1ly, depozit\u00e1\u0159 a dal\u0161\u00edmi funkce nav\u00e1zan\u00e9 na galerijn\u00ed provoz ve 2.-4. nadzemn\u00edm podla\u017e\u00ed, 3. ustupuj\u00edc\u00ed podla\u017e\u00ed s administrativn\u00edmi prostory a barem s terasou.<\/p>\n
Geometrie stavby vych\u00e1z\u00ed z bodu, kter\u00fd vznikl pr\u016fse\u010d\u00edkem v\u00fdchodn\u00ed a z\u00e1padn\u00ed zdi, tedy os, kter\u00e9 vych\u00e1zej\u00ed z tvaru parcely.
\nZ tohoto bodu vych\u00e1zej\u00ed ostatn\u00ed S\u2013J osy, kter\u00e9 d\u011bl\u00ed d\u016fm vertik\u00e1ln\u011b na t\u0159i z\u00e1kladn\u00ed celky:
\n1) v\u00fdstavn\u00ed s\u00e1ly s velk\u00fdmi rozpony
\n2) vstupn\u00ed hala
\n3) segment s men\u0161\u00edmi rozpony pro men\u0161\u00ed v\u00fdstavn\u00ed s\u00e1ly a vertik\u00e1ln\u00ed komunikace.<\/p>\n
Z tohoto d\u016fvodu do\u0161lo k jemn\u00e9 odchylce od otev\u0159en\u00e9 stavebn\u00ed \u010d\u00e1ry sm\u011brem do ulice Karla IV. a d\u00e1le k nepatrn\u00e9mu p\u0159ekro\u010den\u00ed uzav\u0159en\u00e9 stavebn\u00ed \u010d\u00e1ry sm\u011brem do n\u00e1m\u011bst\u00ed. Domn\u00edv\u00e1me se, \u017ee se jedn\u00e1 o p\u0159ekro\u010den\u00ed, kter\u00e9 je ku prosp\u011bchu p\u016fsoben\u00ed hmoty v prostoru a jej\u00ed vnit\u0159n\u00ed geometrii a konzistenci.<\/p>\n
Nakro\u010den\u00ed sm\u011brem do n\u00e1m\u011bst\u00ed vzhledem k existenci loub\u00ed nevn\u00edm\u00e1me jako v\u00fdrazn\u00fd z\u00e1sah do regulace, pokud by to v\u0161ak bylo z urbanistick\u00e9ho hlediska nutn\u00e9 je mo\u017en\u00e9 objekt posunout ke stavebn\u00ed \u010d\u00e1\u0159e voln\u00e9 sm\u011brem do Lidick\u00e9 ulice. V\u0161echna n\u00e1ro\u017e\u00ed maj\u00ed v parteru zvedl\u00e9 rohy a nejsou tam sloupy, co\u017e pom\u00e1h\u00e1 p\u016fsoben\u00ed domu v prostoru. Na k\u0159\u00ed\u017een\u00ed ulic Karla IV. a Lidick\u00e1 zvedl\u00fd roh \u0159e\u0161\u00ed dopravn\u00ed problematiku rozhledov\u00fdch \u00fahl\u016f.<\/p>\n
Galerie disponuje dv\u011bma hlavn\u00edmi vstupy d\u00edky nim\u017e se dostaneme do vstupn\u00ed haly, kter\u00e1 je otev\u0159en\u00e1 p\u0159es v\u0161echna patra a zalit\u00e1 sv\u011btlem ze sv\u011btl\u00edku v posledn\u00edm pat\u0159e. N\u00e1v\u0161t\u011bvn\u00edk, kdy\u017e vstoup\u00ed do galerie, se p\u0159ehledn\u011b a pohodln\u011b dostane do v\u0161ech prostor, kter\u00e9 pova\u017eujeme za d\u016fle\u017eit\u00e9 tedy pokladna, shop, restaurace\/kav\u00e1rna, multifunk\u010dn\u00ed s\u00e1l a coworking. Oba vstupy jsou propojeny pas\u00e1\u017e\u00ed plynouc\u00ed vzh\u016fru do vnit\u0159n\u00edho atria se schodi\u0161t\u011bm. Restaurace s kav\u00e1rnou je um\u00edst\u011bna na n\u00e1ro\u017e\u00ed u Ml\u00fdnsk\u00e9 stoky a sm\u011brem do n\u00e1m\u011bst\u00ed a vyu\u017e\u00edv\u00e1 tak nejv\u00edce mo\u017enost roz\u0161\u00ed\u0159en\u00ed pod loub\u00ed a d\u00e1le do ve\u0159ejn\u00e9ho prostoru. Na n\u00e1ro\u017e\u00ed u hlavn\u00ed komunikace a vjezdu do centra je um\u00edst\u011bn druh\u00fd vchod s coworkingov\u00fdm prostorem. Toalety pro n\u00e1v\u0161t\u011bvn\u00edky jsou pro pohodl\u00ed n\u00e1v\u0161t\u011bvn\u00edk\u016f rovn\u011b\u017e p\u0159\u00edstupn\u00e9 p\u0159\u00edmo z haly. Prostor vstupn\u00edho podla\u017e\u00ed pova\u017eujeme za cenn\u00fd, a proto jsme se rozhodli \u010d\u00e1st skladu k v\u00edce\u00fa\u010delov\u00e9mu s\u00e1lu um\u00edstit do suter\u00e9nu, co\u017e vzhledem k um\u00edst\u011bn\u00ed n\u00e1kladn\u00edho v\u00fdtahu a jeho dobr\u00e9ho napojen\u00ed na s\u00e1l nepova\u017eujeme za problematick\u00e9.<\/p>\n
Klademe d\u016fraz na prostorovou kvalitu vstupn\u00ed haly, n\u00e1v\u0161t\u011bvn\u00edk galerie po zakoupen\u00ed vstupenky pokra\u010duje vzh\u016fru halou do v\u00fdstavn\u00edch s\u00e1l\u016f a p\u0159i t\u00e9to cest\u011b se mu otev\u00edraj\u00ed pr\u016fhledy galeri\u00ed a pohledy na m\u011bsto. Na jednotliv\u00fdch podest\u00e1ch a v prostoru ji\u017e vis\u00ed um\u011bleck\u00e1 d\u00edla a cesta galeri\u00ed je z\u00e1\u017eitkem je\u0161t\u011b p\u0159edt\u00edm, ne\u017e se dostaneme do v\u00fdstavn\u00edch s\u00e1l\u016f. N\u00e1v\u0161t\u011bvn\u00edk se t\u00edmto schodi\u0161t\u011bm dostane a\u017e do posledn\u00edho patra do baru s terasou, kde m\u016f\u017ee spo\u010dinout po shl\u00e9dnut\u00ed v\u00fdstav.
\nUstupuj\u00edc\u00ed 5.patro slou\u017e\u00ed d\u00e1le je\u0161t\u011b administrativn\u00ed \u010d\u00e1sti galerie. V suter\u00e9nu objektu um\u00eds\u0165ujeme z\u00e1zem\u00ed pro pracovn\u00edky restaura\u010dn\u00edho provozu v\u010d. kuchyn\u011b, z\u00e1zem\u00ed pro kustody a pracovn\u00edky security, sklad k v\u00edce\u00fa\u010delov\u00e9mu s\u00e1lu a technologick\u00e9 prostory pro provoz budovy. Jsme toho n\u00e1zoru, \u017ee bylo vhodn\u00e9 suter\u00e9n roz\u0161\u00ed\u0159it o dal\u0161\u00ed skladovac\u00ed prostory.<\/p>\n
Vedle hlavn\u00edho \u201cpromen\u00e1dn\u00edho\u201d schodi\u0161t\u011b ve vstupn\u00ed hale je d\u00e1le nutn\u00e9 um\u00edstit v r\u00e1mci budovy dal\u0161\u00ed vertik\u00e1ln\u00ed komunikace, chr\u00e1n\u011bn\u00e9 \u00fanikov\u00e9 cesty a v\u00fdtahy. V\u011btinu um\u00eds\u0165ujeme ve v\u00fdchodn\u00edm k\u0159\u00eddle budovy tak, aby nezasahovaly do v\u00fdstavn\u00edch s\u00e1l\u016f. Zde je um\u00edst\u011bn n\u00e1kladn\u00ed v\u00fdtah, v\u00fdtah pro n\u00e1v\u0161t\u011bvn\u00edky a v\u00fdtah z restaura\u010dn\u00edho provozu pro bar v posledn\u00edm pat\u0159e. Vedle n\u00e1kladn\u00edho v\u00fdtahu je um\u00edst\u011bn\u00e1 chr\u00e1n\u011bn\u00e1 \u00fanikov\u00e1 cesta. Druh\u00e1 \u00fanikov\u00e1 cesta slou\u017e\u00ed z\u00e1rove\u0148 jako p\u0159\u00edstup baru a venkovn\u00ed terasy z ulice a d\u00edky tomu je bar nez\u00e1visl\u00fd na provozu galerie. Mezi restaurac\u00ed a kuchyn\u00ed je schodi\u0161t\u011b a men\u0161\u00ed v\u00fdtah ur\u010den\u00fd pro gastro provoz.<\/p>\n
Expozi\u010dn\u00ed prostory jsou \u0159e\u0161eny s d\u016frazem na maxim\u00e1ln\u00ed variabilitu a tvo\u0159\u00ed tedy maxim\u00e1ln\u011b voln\u00fd prostor, aby mohly obs\u00e1hnout jakoukoli formu v\u00fdstavy: 1. maxim\u00e1ln\u011b otev\u0159en\u00fd prostor s monument\u00e1ln\u00edmi d\u00edly, 2. d\u011blen\u00ed na klasick\u00e9 v\u00fdstavn\u00ed s\u00e1ly v n\u00e1vaznosti na nosn\u00fd syst\u00e9m, 3. zcela voln\u00e1 kompozice instala\u010dn\u00edch st\u011bn v prostoru. Ka\u017ed\u00e9 v\u00fdstavn\u00ed patro se v\u017edy pevn\u011b v\u00e1\u017ee na vertik\u00e1ln\u00ed komunikace v atriu, aby n\u00e1v\u0161t\u011bvn\u00edk galeri\u00ed p\u0159irozen\u011b plynul. Expozice je mo\u017en\u00e9 koncipovat do okruhu se samostatn\u00fdm vchodem a v\u00fdchodem. Geometrie s\u00e1l\u016f je t\u00e9m\u011b\u0159 pravo\u00fahl\u00e1 a oblost n\u011bkter\u00fdch st\u011bn jen m\u00edrn\u00e1. V r\u00e1mci architektury v\u00fdstav lze s t\u011bmito principy dob\u0159e pracovat pro umocn\u011bn\u00ed v\u00fdrazu expozice. V n\u011bkolika m\u00edstech je v\u00fdstavn\u00ed prostor prosv\u011btlen okny, kter\u00e9 umo\u017e\u0148uj\u00ed vytvo\u0159it vazbu expozice na okol\u00ed. Z\u00e1rove\u0148 je v\u0161ak mo\u017en\u00e9 je zakr\u00fdt integrovan\u00fdmi velkoplo\u0161n\u00fdmi okenicemi, kter\u00e9 funguj\u00ed i jako dopl\u0148kov\u00e9 v\u00fdstavn\u00ed st\u011bny. Zvenku je instalov\u00e1no automatick\u00e9 st\u00edn\u011bn\u00ed, kter\u00e9 umo\u017e\u0148uje regulaci sv\u011bteln\u00fdch podm\u00ednek. Druh\u00e9 expozi\u010dn\u00ed patro m\u00e1 sv\u011btlou v\u00fd\u0161ku 4,62 m, t\u0159et\u00ed a \u010dtvrt\u00e9 3,76 m. Nejvy\u0161\u0161\u00ed expozi\u010dn\u00ed patro je v \u010d\u00e1sti prostor p\u0159ev\u00fd\u0161eno sv\u011btl\u00edkem o v\u00fd\u0161ku ustupuj\u00edc\u00edho podla\u017e\u00ed a umo\u017e\u0148uje instalovat velkoform\u00e1tov\u00e1 d\u00edla a\u017e do v\u00fd\u0161ky 7m. Sv\u011btl\u00edk disponuje dif\u00fazn\u00edm severnim denn\u00edm osv\u011btlen\u00edm. S\u00e1l lze u\u017e\u00edvat p\u0159i p\u0159epa\u017een\u00ed i samostatn\u011b nez\u00e1visle na okoln\u00ed expozici.<\/p>\n
Konstruk\u010dn\u011b bude stavba provedena z betonov\u00e9 skeletov\u00e9 konstrukce v\u010detn\u011b suter\u00e9nu. N\u00e1stavba v posledn\u00edm pat\u0159e bude z lehk\u00e9 d\u0159ev\u011bn\u00e9 konstrukce, kter\u00e1 nezat\u011b\u017euje spodn\u00ed patra. Stropn\u00ed konstrukce z p\u0159edpjat\u00fdch betonov\u00fdch nosn\u00edk\u016f umo\u017e\u0148uje realizaci velk\u00fdch s\u00e1l\u016f bez dal\u0161\u00edch podpor. V\u00fdstavn\u00ed s\u00e1ly by mohly b\u00fdt zcela bez st\u011bn a pil\u00ed\u0159\u016f p\u0159i vyu\u017eit\u00ed n\u00e1kladn\u011bj\u0161\u00edho konstruk\u010dn\u00edho syst\u00e9mu. V n\u00e1vrhu je ale kladen d\u016fraz i na ekonomii p\u0159i zachov\u00e1n\u00ed kvality a originality vystavnich prostor. Realizace v\u011bt\u0161\u00edch rozpon\u016f, ne\u017e m\u00e1me nyn\u00ed v sout\u011b\u017en\u00edm n\u00e1vrhu, je mo\u017en\u00e1 za p\u0159edpokladu nav\u00fd\u0161en\u00ed pr\u016fvlak\u016f, co\u017e by vy\u017eadovalo kompromis ve v\u00fd\u0161kov\u00e9 regulaci, kter\u00e1 v\u0161ak byla zadavatelem striktn\u011b p\u0159edeps\u00e1na. Domn\u00edv\u00e1me se, \u017ee v\u00fd\u0161kov\u00e1 regulace hlavn\u00ed hmoty na 19 m by m\u011bla b\u00fdt je\u0161t\u011b v dal\u0161\u00edch f\u00e1z\u00edch prov\u011b\u0159ena. M\u011blo by doj\u00edt k optimalizaci sv\u011btl\u00e9 v\u00fd\u0161ky stropu v galerii versus v\u00fd\u0161ka pr\u016fvlak\u016f versus po\u010det nosn\u00fdch sloup\u016f a zd\u00ed. To by si samoz\u0159ejm\u011b vy\u017e\u00e1dalo dal\u0161\u00ed diskuzi s \u00fa\u0159ady a zejm\u00e9na
\ns pam\u00e1tkovou p\u00e9\u010d\u00ed, co\u017e nejsp\u00ed\u0161e nen\u00ed \u017e\u00e1douc\u00ed, proto dr\u017e\u00edme v sout\u011b\u017en\u00edm n\u00e1vrhu danou regulaci.<\/p>\n
V\u00fdstavn\u00ed s\u00e1ly maj\u00ed om\u00edtan\u00e9 st\u011bny, kter\u00e9 lze barevn\u011b p\u0159izp\u016fsobovat dan\u00e9 v\u00fdtvarn\u00e9 instalaci, pod stropem lze um\u00edstit z\u00e1v\u011bsn\u00fd syst\u00e9m. D\u0159ev\u011bn\u00e1 masivn\u00ed podlaha prostor z\u00fatul\u0148uje, d\u00e1v\u00e1 mu m\u011b\u0159\u00edtko a je vhodn\u011bj\u0161\u00ed pro \u0161ir\u0161\u00ed spektrum um\u011bn\u00ed ne\u017e betonov\u00e1, o t\u00e9 lze v\u0161ak t\u00e9\u017e uva\u017eovat. Stropy dost\u00e1vaj\u00ed rytmus d\u00edky p\u0159iznan\u00e9 \u017eelezobetonov\u00e9 konstrukci, kter\u00e1 umo\u017e\u0148uje zav\u011b\u0161en\u00ed objekt\u016f. Instala\u010dn\u00ed prostor mezi nosn\u00edky je kryt heraklitov\u00fdmi deskami s tracky pro bodov\u00e9 pop\u0159\u00edpad\u011b difuzn\u00ed osv\u011btlen\u00ed. Strop je slad\u011bn do sv\u011btle \u0161ed\u00e9 barvy, aby p\u016fsobil v expozici neutr\u00e1ln\u011b p\u0159i plo\u0161n\u00e9m osv\u011btlen\u00ed i v intimn\u011bj\u0161\u00ed atmosf\u00e9\u0159e. Pod heraklitov\u00fdmi podhledy je mo\u017en\u00e9 v\u00e9st dal\u0161\u00ed infrastrukturu. Spole\u010dn\u00e9 prostory ve vstupn\u00ed hale a schodi\u0161t\u011b budou kombinovat brou\u0161en\u00fd beton na podlaze s om\u00edtan\u00fdmi st\u011bnami.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nov\u00e1 budova Al\u0161ovy Jiho\u010desk\u00e9 galerie Nov\u00e1 budova Al\u0161ovy Jiho\u010desk\u00e9 galerie vych\u00e1z\u00ed z ducha m\u00edsta a m\u011bsta, historie architektury a z\u00e1rove\u0148 chce b\u00fdt sou\u010dasnou sebev\u011bdomou stavbou a instituc\u00ed, kter\u00e1 p\u0159esahuje sv\u00fdm v\u00fdznamem region \u010cesk\u00fdch Bud\u011bjovic. Je schr\u00e1nkou na um\u011bn\u00ed a um\u011bn\u00edm samotn\u00fdm. Stavba vyr\u016fst\u00e1 ze syst\u00e9mu organicky tvarovan\u00fdch sloup\u016f s oblouky, kter\u00e9 m\u00edsty tvo\u0159\u00ed loub\u00ed a dod\u00e1vaj\u00ed j\u00ed v\u00e1\u017enost, eleganci a tv\u00e1\u0159 ve\u0159ejn\u00e9 stavby. […]<\/p>\n","protected":false},"author":1,"featured_media":5088,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/5052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5052"}],"version-history":[{"count":22,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/5052\/revisions"}],"predecessor-version":[{"id":5144,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/5052\/revisions\/5144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/media\/5088"}],"wp:attachment":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5052"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}