{"id":4972,"date":"2024-10-09T22:03:01","date_gmt":"2024-10-09T20:03:01","guid":{"rendered":"https:\/\/www.rcnksk.com\/?p=4972"},"modified":"2024-10-09T22:16:04","modified_gmt":"2024-10-09T20:16:04","slug":"poetry-performance-the-eastern-european-perspective-praha-letohradek-hvezda","status":"publish","type":"post","link":"https:\/\/www.rcnksk.com\/?p=4972","title":{"rendered":"Poetry & Performance. The Eastern European Perspective \u2013 Praha, Letohr\u00e1dek Hv\u011bzda"},"content":{"rendered":"

\u017dilina 2017-2018<\/span><\/p>\n

Belgrad 2017-2018<\/span><\/p>\n

Z\u00fcrich 2018 – RCNKSK<\/span><\/p>\n

Dresden 2019 – RCNKSK<\/span><\/p>\n

Wroc\u0142aw 2020 – only consulting\u00a0<\/span><\/p>\n

Liberec 2020-2021 – RCNKSK<\/span><\/p>\n

Budapest 2021 – RCNKSK<\/span><\/p>\n

Dnipro 2021-2022 – RCNKSK<\/span><\/p>\n

Prague 2024 – RCNKSK<\/span><\/p>\n

 <\/p>\n

D\u00edla v\u00fdstavy Poetry a performance jsou \u010dasto pr\u00e1ce na pap\u00ed\u0159e, s textem, mluvou, apod. – vizu\u00e1ln\u011b\u00a0 k\u0159ehk\u00e1 d\u00edla. Okam\u017eit\u011b n\u00e1m bylo jasn\u00e9, \u017ee tak k tomu mus\u00edme p\u0159istupovat. Vytvo\u0159it b\u00edl\u00fd \u00e9terick\u00fd prostor, dopln\u011bn\u00fd co nejjednodu\u0161\u0161\u00edm fundusem, kde ka\u017ed\u00e9 sebemen\u0161\u00ed d\u00edlo vynikne.\u00a0<\/span><\/p>\n

Materi\u00e1lov\u011b jsme zvolili b\u00edlou barvu: st\u011bny, pap\u00edr, l\u00e1tku dopln\u011bnou co nejsubtiln\u011bj\u0161\u00edmi konstrukcemi ze surov\u00e9 oceli. Nepopsan\u00fd b\u00edl\u00fd hedv\u00e1bn\u00fd pap\u00edr \u010di l\u00e1tka sv\u00fdm charakterem dob\u0159e dopl\u0148uje povahu vystaven\u00fdch prac\u00ed.\u00a0 Tato materi\u00e1lov\u00e1 kombinace zapadala koncep\u010dn\u011b i do doby vzniku d\u011bl, kdy\u00a0 um\u011blci \u010dasto pracovali s b\u011b\u017en\u011b dostupn\u00fdmi levn\u00fdmi materi\u00e1ly a d\u00edky tomu se mohli svobodn\u011b vyj\u00e1d\u0159it. Tak\u00e9 z tohoto jsme pracovali s v\u00fd\u0161e uveden\u00fdmi materi\u00e1ly a v\u011bt\u0161ina v\u00fdstavn\u00edho mobili\u00e1\u0159e byla vyrobena formou DIY.<\/span><\/p>\n

\u010cekal na n\u00e1s ale z\u00e1sadn\u00ed probl\u00e9m\u00a0 a to bylo audio a p\u0159edev\u0161\u00edm video.
\n<\/span>Instalovat audiovizu\u00e1ln\u00ed d\u00edla v galeri\u00edch je ji\u017e dlouhou dobu b\u011b\u017en\u00e9. Tom\u00e1\u0161 Glanc v\u0161ak p\u0159i\u0161el s konceptem v\u00fdstavy, kde je pot\u0159eba vedle sebe prezentovat 40 filmov\u00fdch d\u011bl a 20 zvukov\u00fdch a vedle toho \u0159adu obraz\u016f, fotografi\u00ed, prac\u00ed na pap\u00ed\u0159e a knih. Jejich forma je \u010dasto velmi r\u016fznorod\u00e1. Nesm\u00ed se mezi sebou ru\u0161it a ka\u017ed\u00e9 mus\u00ed vyzn\u00edt samo o sob\u011b.
\n<\/span>S takov\u00fdm zad\u00e1n\u00edm jsme p\u0159ed \u0161esti lety zapo\u010dali spolupr\u00e1ci na tomto dlouhodob\u00e9m projektu. V\u00fdstava tehdy m\u011bla za sebou dv\u011b zast\u00e1vky: v \u017diln\u011b a v B\u011blehradu. Autor\u016fm v\u00fdstavy bylo jasn\u00e9, \u017ee i p\u0159es celkov\u011b povedenou instalaci p\u0159in\u00e1\u0161\u00ed takov\u00e9 mno\u017estv\u00ed audiovizu\u00e1ln\u00edch d\u011bl nemal\u00e9 probl\u00e9my z hlediska p\u0159\u00edstupnosti a uchopitelnosti pro n\u00e1v\u0161t\u011bvn\u00edka, tak po technick\u00e9 str\u00e1nce.
\n<\/span>Za\u010dali jsme hledat formu prezentace, kter\u00e1 by n\u00e1v\u0161t\u011bvn\u00edka nezat\u011b\u017eovala, nemusel \u010dekat na smy\u010dku n\u011bkolika vide\u00ed na jedn\u00e9 projekci, nemusel si nasazovat sluch\u00e1tka, aby m\u011bl z ka\u017ed\u00e9ho d\u00edle vjem od prvn\u00edho spat\u0159en\u00ed a kdy\u017e ho zaujme, tak si ho u\u017eije cel\u00e9.<\/span><\/p>\n

Rozhodli jsme se instalovat videa stejn\u011b jako klasick\u00e9 um\u011bn\u00ed, jedno vedle druh\u00e9ho s fyzick\u00fdmi expon\u00e1ty na\u00a0 st\u011bny\u00a0 i v prostoru v r\u016fzn\u00fdch m\u011b\u0159\u00edtc\u00edch (televize, monitory, projekce). Hledat rovnov\u00e1hu mezi jednotliv\u00fdmi d\u00edly, aby mezi sebou komunikovali. Tento koncept mohl fungovat pouze za p\u0159edpokladu, \u017ee se poda\u0159\u00ed k n\u00e1v\u0161t\u011bvn\u00edkovi dostat zvuk jinak, ne\u017e pomoc\u00ed sluch\u00e1tek.\u00a0 Cel\u00fd projekt byl pom\u011brn\u011b podfinancovan\u00fd a my hledali \u0159e\u0161en\u00ed. Reproduktory jsme si nakonec museli vyrobit z na b\u00edlo nat\u0159en\u00fdch tubus\u016f od pap\u00edru kombinovan\u00fdch s nejlevn\u011bj\u0161\u00edmi reproduktory k po\u010d\u00edta\u010di, jak\u00e9 jsme sehnali. Nad n\u00e1v\u0161t\u011bvn\u00edkem jsme zav\u011bsili tuto\u00a0 \u201caudiosprchu\u201d. V\u00fdsledek byl takov\u00fd, \u017ee celou expozic\u00ed se rozl\u00e9hal m\u00edrn\u00fd \u0161um, ruchy, \u00fatr\u017eky \u0159e\u010di z cel\u00e9 v\u00fdstavy na velmi n\u00edzk\u00e9 \u00farovni intenzity. A kdy\u017e se n\u00e1v\u0161t\u011bvn\u00edk ocitl p\u0159\u00edmo pod reproduktorem. Mohl jen tak nakouknout, zkusit, zda ho zaujme nebo si u\u017e\u00edt cel\u00e9 d\u00edlo. To pomohlo mnoh\u00e1 d\u00edla zp\u0159\u00edstupnit \u0161ir\u0161\u00edmu obecenstvu. V\u00fdstava byla instala\u010dn\u011b natolik specifick\u00e1 a vidina toho, \u017ee bude putovat na dal\u0161\u00ed m\u00edsta po Evrop\u011b vedla k tomu, \u017ee jsme instalaci nejen navrhovali ale sami vyr\u00e1b\u011bli a instalovali, \u0159e\u0161ili instalaci audiovizu\u00e1ln\u00ed techniky i osv\u011btlen\u00ed.\u00a0<\/span><\/p>\n

Z jednotliv\u00fdch instalac\u00ed n\u00e1m postupn\u011b vznikl takov\u00fd instala\u010dn\u00ed set, kter\u00fd jsme v\u017edy p\u0159izp\u016fsobili m\u00edstn\u00edmu prostoru \u010di vystavovan\u00fdm d\u00edl\u016fm. V\u00fdstavn\u00ed fundus (vitr\u00edny,\u00a0 audiosprchy, stojany pro monitory, p\u0159ehr\u00e1va\u010de) se p\u0159i ka\u017ed\u00e9 repr\u00edze doplnil \u010di p\u0159izp\u016fsobil . Na ka\u017ed\u00e9 zast\u00e1vce jsme spole\u010dn\u011b s kur\u00e1tory \u0159e\u0161ili integraci m\u00edstn\u00ed skupiny um\u011blc\u016f, aby se t\u00e9ma cel\u00e9 v\u00fdstavy propojilo s m\u00edstem. A tak se z na\u0161\u00ed pr\u00e1ce na projektu Poetry&Performace nakonec vyklubal Design&Built projekt, kter\u00fd trval \u0161est let b\u011bhem nich\u017e vzniklo \u0161est instalac\u00ed. Ka\u017ed\u00e1 v\u00fdstava byla n\u011b\u010d\u00edm specifick\u00e1 a v\u017edy jsme instalaci p\u0159izp\u016fsobili mo\u017enostem a kvalit\u00e1m\u00a0 dan\u00e9ho prostoru. V Zurichu (Shedhalle, 2018), v rozlehl\u00e9 b\u00fdval\u00e9 textiln\u00ed tov\u00e1rn\u011b, jsme\u00a0 vytvo\u0159ili poetickou a k\u0159ehkou instalaci zalitou b\u00edl\u00fdm difuzn\u00edm sv\u011btlem. V Dr\u00e1\u017e\u010fanech (Motorenhalle, 2019), v\u00fdrazn\u011b men\u0161\u00ed tov\u00e1rn\u011b, jsme op\u011bt vyu\u017eili mo\u017enost\u00ed otev\u0159en\u00e9ho prostoru v zemit\u011bj\u0161\u00ed a hodn\u011b nahu\u0161t\u011bn\u00e9 form\u011b. D\u00e1le jsme pokra\u010dovali v b\u00fdval\u00fdch l\u00e1zn\u00edch v Liberci (Oblastn\u00ed galerie Liberec, 2020-21), kde byla v\u00fdrazn\u011b pos\u00edlena \u010d\u00e1st zvukov\u00fdch b\u00e1sn\u011b. N\u00e1sledovalo covidov\u00e9 mezip\u0159ist\u00e1n\u00ed v b\u00fdval\u00e9m bunkru ve Wroclawi, kter\u00e9 ov\u0161em \u0159e\u0161ilo muzeum po sv\u00e9 ose. V komorn\u011bj\u0161\u00ed verzi, kdy byly k dispozici pouze dv\u011b men\u0161\u00ed m\u00edstnosti vznikla instalace v Budape\u0161ti (Kassak, 2021). Nejd\u00e1le na v\u00fdchod jsme instalovali v Dn\u011bpru (DCCC, 2022), kde jsme\u00a0 celou v\u00fdstavu nachystali v rozs\u00e1hl\u00fdch prostor\u00e1ch za 5 dn\u00ed s n\u011bkolika pomocn\u00edky ve t\u0159ech lidech. Posledn\u00ed instalace p\u0159enesla projekt do renesan\u010dn\u00ed stavby v letohr\u00e1dku Hv\u011bzda v Praze (muzeum Literatury, 2024) , kde instalace v komplikovan\u00e9m prostoru zabrala<\/span> nekone\u010dn\u00e9 mno\u017estv\u00ed \u010dasu.<\/span><\/p>","protected":false},"excerpt":{"rendered":"

\u017dilina 2017-2018 Belgrad 2017-2018 Z\u00fcrich 2018 – RCNKSK Dresden 2019 – RCNKSK Wroc\u0142aw 2020 – only consulting\u00a0 Liberec 2020-2021 – RCNKSK Budapest 2021 – RCNKSK Dnipro 2021-2022 – RCNKSK Prague 2024 – RCNKSK   D\u00edla v\u00fdstavy Poetry a performance jsou \u010dasto pr\u00e1ce na pap\u00ed\u0159e, s textem, mluvou, apod. – vizu\u00e1ln\u011b\u00a0 k\u0159ehk\u00e1 d\u00edla. Okam\u017eit\u011b n\u00e1m bylo jasn\u00e9, \u017ee […]<\/p>\n","protected":false},"author":1,"featured_media":4973,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/4972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4972"}],"version-history":[{"count":3,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/4972\/revisions"}],"predecessor-version":[{"id":5012,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/4972\/revisions\/5012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/media\/4973"}],"wp:attachment":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}