{"id":422,"date":"2021-09-20T13:27:17","date_gmt":"2021-09-20T11:27:17","guid":{"rendered":""},"modified":"2023-05-04T11:52:33","modified_gmt":"2023-05-04T09:52:33","slug":"zivot-je-bolestny-a-prinasi-zklamani-massakr-vol-1-h-p-lovecraft","status":"publish","type":"post","link":"https:\/\/www.rcnksk.com\/?p=422","title":{"rendered":"\u017divot je bolestn\u00fd a p\u0159in\u00e1\u0161\u00ed zklam\u00e1n\u00ed, Massakr, Vol. 1: H. P. Lovecraft"},"content":{"rendered":"<p>Vystavuj\u00edc\u00ed auto\u0159i: Josef Bolf, Jakub Gajdo\u0161\u00edk, Stanislav Karoli, Eva Macekov\u00e1, Martin Mula\u010d, Martin Salajka, Richard Stipl, Marek \u0160kubal, Franti\u0161ek \u0160torm, Jan Vytiska<\/p>\n<p>V\u00fdstava \u017divot je bolestn\u00fd a p\u0159in\u00e1\u0161\u00ed zklam\u00e1n\u00ed: Lovecraft se zab\u00fdv\u00e1 vlivem kl\u00ed\u010dov\u00e9 osobnosti modern\u00edho horroru H. P. Lovecrafta v sou\u010dasn\u00e9m v\u00fdtvarn\u00e9m um\u011bn\u00ed a je prvn\u00edm pokusem o zmapov\u00e1n\u00ed t\u00e9to t\u00e9matiky v \u010desk\u00e9m prost\u0159ed\u00ed. Seri\u00f3zn\u00ed a nar\u016fstaj\u00edc\u00ed z\u00e1jem o jeho tvorbu se projevil i v ned\u00e1vn\u00fdch publikac\u00edch, kter\u00e9 se j\u00ed v\u011bnovaly i v oblasti filmov\u00e9 \u010di liter\u00e1rn\u00ed. V letech 2010 \u2013 2013 vydalo nakladatelstv\u00ed Puls jeho sebran\u00e9 spisy, velkou pozornost v\u011bnoval Lovecraftovi i \u010dasopisy \u017divel \u010d. 37 z roku 2013 \u010di A2, \u010d. 6 z roku 2015. Jeho jm\u00e9no se poprv\u00e9 objevilo ji\u017e v antologii Lupi\u010di mrtvol (1970). Lovecraftem se tehdy zab\u00fdvaly takov\u00e9 v\u00fdrazn\u00e9 osobnosti, jako nap\u0159\u00edklad Josef \u0160kvoreck\u00fd \u010di Franti\u0161ek Jungwirth. N\u00e1sledn\u011b v\u0161ak nadlouho Lovecraftovo d\u00edlo nemohlo vych\u00e1zet. \u017d\u00e1nr hororu byl komunistickou ideologi\u00ed vn\u00edm\u00e1n jako bur\u017eo\u00e1zn\u011b \u00fapadkov\u00fd. To v praxi znamenalo, \u017ee se nevyd\u00e1valy hororov\u00e9 knihy (a\u017e na mal\u00e9 v\u00fdjimky), stejn\u011b jako se filmov\u00e9 horory nedost\u00e1valy p\u0159\u00edli\u0161 \u010dasto do filmov\u00e9 distribuce. Ur\u010dit\u00e1 zm\u011bna nastala a\u017e v pr\u016fb\u011bhu 80. let s n\u00e1stupem videa. Primitivn\u011b nadabovan\u00e9 (v\u011bt\u0161inou jedn\u00edm \u010dlov\u011bkem) horory pat\u0159ily mezi nejobl\u00edben\u011bj\u0161\u00ed filmov\u00e9 kopie, kter\u00e9 tehdy soukrom\u011b putovaly celou republikou. Byla to pr\u00e1v\u011b generace, kter\u00e1 v 80. letech dosp\u00edvala a m\u011bla tak v ur\u010dit\u00e9m smyslu jako prvn\u00ed mo\u017enost poznat nejen klasiku \u017e\u00e1nru, ale i b\u00e9\u010dkovou produkci. V tomto smyslu se tedy genera\u010dn\u00ed zku\u0161enost \u010desk\u00fdch um\u011blc\u016f p\u0159\u00edli\u0161 neli\u0161ila od t\u00e9,kterou m\u011bli jejich vrstevn\u00edci v zahrani\u010d\u00ed. Nen\u00ed tedy n\u00e1hodou, \u017ee 90. l\u00e9ta p\u0159in\u00e1\u0161ej\u00ed v celosv\u011btov\u00e9m kontextu razantn\u00ed pr\u016fnik hororov\u00e9 t\u00e9matiky do v\u00fdtvarn\u00e9ho um\u011bn\u00ed. Spektrum d\u011bl je velice \u0161irok\u00e9 svou formou i obsahem, od atmosf\u00e9rick\u00fdch zobrazen\u00ed \u00fazkosti p\u0159es popovou zdivo\u010delost po dr\u00e1saj\u00edc\u00ed krutost. M\u00e1lokter\u00e9 t\u00e9ma tak siln\u011b rezonuje s na\u0161\u00ed sou\u010dasnost\u00ed, kter\u00e1 je tak\u00e9 protk\u00e1na strachem a \u00fazkost\u00ed. H. P. Lovecraft ji\u017e d\u00e1vno nen\u00ed liter\u00e1rn\u00edmi historiky podce\u0148ov\u00e1n a p\u0159ehl\u00ed\u017een, jeho d\u00edlu je v\u011bnov\u00e1na seri\u00f3zn\u00ed pozornost. V\u00fdstava p\u0159edstav\u00ed tvorbu um\u011blc\u016f a um\u011blky\u0148, kte\u0159\u00ed se s fenom\u00e9nem d\u00edla H. P. Lovecrafta vyrovn\u00e1vaj\u00ed r\u016fzn\u00fdmi zp\u016fsoby a v r\u016fzn\u00fdch form\u00e1ch, od malby, kresby, p\u0159es plastiku, a\u017e po instalace a videa. K v\u00fdstav\u011b bude vyd\u00e1n stejnojmenn\u00fd katalog, kter\u00fd vedle vystaven\u00fdch d\u011bl bude obsahovat i \u010dty\u0159i teoretick\u00e9 texty (Urban, H\u0159\u00edbek, Adamovi\u010d, Jirou\u0161ek). Jako doprovodn\u00e9 programy se nab\u00edzej\u00ed filmov\u00e1 p\u0159edstaven\u00ed, \u010dten\u00ed liter\u00e1rn\u00edch d\u011bl \u010di hudebn\u00ed koncerty. V\u00fdstava tak\u00e9 nab\u00edz\u00ed bohat\u00e9 spektrum d\u011btsk\u00fdch doprovodn\u00fdch program\u016f.<\/p>\n<p>Web v\u00fdstavy: http:\/\/galerie-plzen.cz\/vystavy\/vystavy-2016\/zivot-je-bolestny-a-prinasi-zklamani<br \/>\nhttps:\/\/ct24.ceskatelevize.cz\/kultura\/1964540-zivot-je-bolestny-a-prinasi-zklamani-ceske-umeni-cte-lovecrafta<\/p>","protected":false},"excerpt":{"rendered":"<p>Vystavuj\u00edc\u00ed auto\u0159i: Josef Bolf, Jakub Gajdo\u0161\u00edk, Stanislav Karoli, Eva Macekov\u00e1, Martin Mula\u010d, Martin Salajka, Richard Stipl, Marek \u0160kubal, Franti\u0161ek \u0160torm, Jan Vytiska V\u00fdstava \u017divot je bolestn\u00fd a p\u0159in\u00e1\u0161\u00ed zklam\u00e1n\u00ed: Lovecraft se zab\u00fdv\u00e1 vlivem kl\u00ed\u010dov\u00e9 osobnosti modern\u00edho horroru H. P. Lovecrafta v sou\u010dasn\u00e9m v\u00fdtvarn\u00e9m um\u011bn\u00ed a je prvn\u00edm pokusem o zmapov\u00e1n\u00ed t\u00e9to t\u00e9matiky v \u010desk\u00e9m prost\u0159ed\u00ed. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1019,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=422"}],"version-history":[{"count":5,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/422\/revisions"}],"predecessor-version":[{"id":3626,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/422\/revisions\/3626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/media\/1019"}],"wp:attachment":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}