Adolf Loos byl velice pozoruhodn\u00fd architekt 20.stolet\u00ed. Ve sv\u00e9 dob\u011b slavn\u00fdm, n\u011bkdy i dokonce m\u00e9n\u011b \u017e\u00e1dan\u00fdm architektem a v ka\u017ed\u00e9m p\u0159\u00edpad\u011b i v\u00fdst\u0159edn\u00ed vyhran\u011bnou osobnost\u00ed. P\u0159esto se mu povedlo zrealizovat v Evrop\u011b n\u011bkolik staveb, ze kter\u00fdch se architekti a um\u011blci inspiruj\u00ed dodnes. N\u011bkter\u00e9 z nich se staly kl\u00ed\u010dov\u00fdmi stavbami d\u011bjin sv\u011btov\u00e9 architektury.<\/p>\n
P\u0159i tvorb\u011b sochy v\u011bnovan\u00e9 architektovi Adolfovi Loosovi jsme si kladli ot\u00e1zku. Jak jednodu\u0161e a v\u00fdsti\u017en\u011b upozornit na osobnost Adolfa Loose ve ve\u0159ejn\u00e9m prostoru, ani\u017e bychom p\u0159\u00edmo citovali jeho koncepci prostoru v\u0161eobecn\u011b zn\u00e1mou jako Raumplan. Realizovat ve ve\u0159ejn\u00e9m prostoru objekt, kter\u00fd se vztahuje k jeho tolik typick\u00e9 prostorov\u00e9 koncepci architektury by bylo p\u0159\u00edli\u0161 obt\u00ed\u017en\u00e9 a nav\u00edc by to postr\u00e1dalo smysl, proto\u017ee socha nen\u00ed architektura. Hledali jsme tedy typick\u00fd symbol, kter\u00fd charakterizuje tvorbu Adolfa Loose. Z\u00e1rove\u0148 jsme necht\u011bli p\u0159\u00edli\u0161 zach\u00e1zet do intelektu\u00e1ln\u00edch debat a p\u0159esp\u0159\u00edlis konceptualizovat tvorbu t\u00e9to v\u00fdrazn\u00e9 osobnosti. Po dlouh\u00e9 rozvaze jsme do\u0161li k n\u00e1zoru, \u017ee nejlep\u0161\u00ed volbou bude naj\u00edt n\u011bco typick\u00e9ho z jeho uskute\u010dn\u011bn\u00fdch interier\u016f. Sna\u017eili jsme se naj\u00edt takov\u00fd typick\u00fd prvek, kter\u00fd Loos pou\u017e\u00edval ve sv\u00fdch vil\u00e1ch, bytech, kav\u00e1rn\u00e1ch a obchodn\u00edch domech, ale kter\u00fd by vyj\u00e1d\u0159il i ducha jeho tvorby. Objekt, kter\u00fd bychom mohli pova\u017eovat za symbol.<\/p>\n
Loosovy interiery jsou rozmanit\u00e9, bohat\u00e9 p\u016fsob\u00ed romantizuj\u00edc\u00edm dojmem a jsou pln\u00e9 u\u017eit\u00e9ho um\u011bn\u00ed, kter\u00e9 autor p\u0159\u00edmo nenavrhoval, ale velmi \u010dasto je pou\u017e\u00edval a dohromady kombinoval r\u016fzn\u00e9 styly a t\u00edm spolu s pe\u010dliv\u011b volen\u00fdmi materi\u00e1ly a kvalitn\u00edm \u0159emeslem vyvt\u00e1\u0159el n\u00e1dhern\u00e9 interiery. K\u0159eslo, kter\u00e9 se v interierech nach\u00e1z\u00ed, \u010dasto opakuje a ned\u00e1 se p\u0159ehl\u00e9dnout, je proslul\u00e9 n\u00e1dhern\u00e9 k\u0159eslo zvan\u00e9 Knieschwimmer\u201d. Bylo vyr\u00e1b\u011bn\u00e9 a pravd\u011bpodobn\u011b i navrhnut\u00e9 design\u00e9rem a architektem F. O. Schmidtem, s jeho\u017e v\u00edde\u0148skou firmou Adolf Loos po\u010d\u00e1tkem 20.stolet\u00ed spolupracoval. D\u016fle\u017eit\u00fdm momentem je to, \u017ee A. Loos sice nenavrhl tento kus n\u00e1bytku, ale pou\u017e\u00edval jej jako dopln\u011bk vet\u0161iny sv\u00fdch interier\u016f. To se net\u00fdk\u00e1 pouze tohoto k\u0159esla jedn\u00e1 se o princip tvorby Adolfa Loose. Toto je d\u016fvod pro\u010d jsme se v na\u0161em n\u00e1vrhu rozhodli pou\u017e\u00edt \u201cknieswimmer\u201d jako symbolick\u00fd a podle na\u0161eho n\u00e1zoru i adekv\u00e1tn\u00ed motiv k \u017eivotu a d\u00edlu brn\u011bnsk\u00e9ho rod\u00e1ka Adolfa Loose.<\/p>\n
Dal\u0161\u00edm specifikem jeho tvorby byl pe\u010dliv\u00fd v\u00fdb\u011br materi\u00e1l\u016f a jejich kombinace. Typick\u00fdm materi\u00e1lem je zelen\u00fd italsk\u00fd mramor zvan\u00fd Cipollino. K\u0159eslo bude provedeno pr\u00e1v\u011b z tohoto druhu mramoru a osazeno p\u0159\u00edmo do tr\u00e1vn\u00edku. M\u011b\u0159\u00edtkem 2,5 kr\u00e1t v\u011bt\u0161\u00edm ne\u017e-li ve skute\u010dnosti doc\u00edl\u00edme, \u017ee objekt p\u0159estane b\u00fdt n\u00e1bytkem a stane se sou\u010d\u00e1st\u00ed prostoru. Knieschwimmer um\u00edst\u00edme v nad\u017eivotn\u00ed velikosti na dan\u00e9 m\u00edsto a prostor kolem pomn\u00edku bude postupn\u011b zar\u016fstat b\u0159e\u010d\u0165anem, t\u00e9\u017e pat\u0159\u00edc\u00edm mezi Loosovy obl\u00edben\u00e9 a \u010dasto pou\u017e\u00edvan\u00e9 rostliny. Pop\u00ednav\u00e9 rostiny pokr\u00fdvaj\u00edc\u00ed navenek fas\u00e1dy jeho staveb jsou dal\u0161\u00edm typick\u00fdm symbolem jeho tvorby.<\/p>\n
V\u011b\u0159\u00edme, \u017ee se n\u00e1m pou\u017eit\u00edm k\u0159esla Knieschwimmer, materi\u00e1lov\u00fdm pojedn\u00e1n\u00edm a um\u00edst\u011bn\u00edm v b\u0159e\u010d\u0165anov\u00e9m podhoub\u00ed poda\u0159\u00ed skloubit podstatn\u00e9 principy tvorby Adolfa Loose a vytvo\u0159it soudob\u00fd a \u017eiv\u00fd pam\u00e1tn\u00edk, kter\u00fd se stane sou\u010d\u00e1st\u00ed ve\u0159ejn\u00e9ho prostoru.<\/p>","protected":false},"excerpt":{"rendered":"
Adolf Loos byl velice pozoruhodn\u00fd architekt 20.stolet\u00ed. Ve sv\u00e9 dob\u011b slavn\u00fdm, n\u011bkdy i dokonce m\u00e9n\u011b \u017e\u00e1dan\u00fdm architektem a v ka\u017ed\u00e9m p\u0159\u00edpad\u011b i v\u00fdst\u0159edn\u00ed vyhran\u011bnou osobnost\u00ed. P\u0159esto se mu povedlo zrealizovat v Evrop\u011b n\u011bkolik staveb, ze kter\u00fdch se architekti a um\u011blci inspiruj\u00ed dodnes. N\u011bkter\u00e9 z nich se staly kl\u00ed\u010dov\u00fdmi stavbami d\u011bjin sv\u011btov\u00e9 architektury. P\u0159i tvorb\u011b sochy […]<\/p>\n","protected":false},"author":1,"featured_media":1053,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-418","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archive"],"_links":{"self":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=418"}],"version-history":[{"count":5,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/418\/revisions"}],"predecessor-version":[{"id":3622,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/posts\/418\/revisions\/3622"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=\/wp\/v2\/media\/1053"}],"wp:attachment":[{"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=418"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=418"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rcnksk.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}